You can also switch between M/S and stereo EQ for even more control. By applying dynamic processing across a frequency range, it helps balance instruments and voices in a way that has not been done before. It works by attenuating frequencies that are causing problems in the mix. Spectral Shaper is the newest module to be added to Ozone. This is a huge deal regarding workflow, saves me a bunch of time. This means that based on the analysis by TBC, you can directly alter the EQ of different tracks to correct frequency issues without having to open any new windows. My favorite part about TBC is its ability to communicate with all instances of Neutron 2 and Ozone 8 EQ modules in the project. You can also load a reference track to see how your track stands up to it visually. Immediately you can see if your low, low-mid, high-mid, and high-frequency ranges are within an acceptable range. These targets come from the combined frequency analysis for thousands of professionally produced masters. There are three different reference targets for you to choose from Bass Heavy, Modern, or Orchestral. It goes at the very end of your master chain and lets you visually see the overall tonal balance of your track. TBC is a standalone plug-in that only comes with the advanced version of Ozone 8. I use this a lot but will always continue to tweak and dial in different settings using my ears. Try to dissect the parameters within each module and see what is happening and why. However, it is a great way to learn about some technical decisions that are made during the beginning of the mastering process. It should be noted that this is not a magic button for mastering a track. After the analysis, Ozone will provide a master chain that is customized specifically for your track. Begin by selecting one of the three targets: Streaming, CD, or Reference.
The Master Assistant is a super helpful feature that gives you a starting point by intelligently analyzing your music. iZotope has award-winning audio processors that genuinely do make a huge difference. As they are pushed to their limits, unwanted artifacts are introduced to your audio which can cause even more problems. Low-level plugins just cannot compete with Ozone.
When it comes to mastering, producing a “clean” sound is incredibly important. These modules can be placed in any order on the mastering chain, allowing you to experiment to find what works best. There are 12 total modules which are: Spectral Shaper, EQ, Post EQ, Dynamic EQ, Maximizer, Imager, Exciter, Dynamics, Vintage Limiter, Vintage Tape, Vintage EQ, Vintage Compressor.
Across the top of the Ozone window, you will find the mastering signal chain where six different “modules” can be added. There is a lot to talk about with Ozone, but for the sake of time, I will try to keep everything short and to the point while still covering the essential aspects.įor those of you who may are not familiar with Ozone, think of it as an all-in-one mastering plug-in. This review will focus on the Advanced version. There are three different versions of Ozone 8 available to buy: Advanced ($499), Standard ($249), and Elements ($129). Their most recent release sees some significant upgrades that make an already powerful tool, even better.
IZOTOPE OZONE 8 REFERENCE TRACK SOFTWARE
Industry professionals widely use this acclaimed software and regarded as the standard when it comes to mastering. Mastering just became a whole lot easier thanks to i Zotope’s latest version of Ozone.
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